There is no excerpt because this is a protected post.
Author Archives: Ebbanoxious Guitar Lessons
Creativity is its own reward!
Letting music flow through you can be so rewarding, can’t it? Whether you’re strumming a guitar, composing a melody, or just letting the rhythm take over, it’s like a conversation with your soul. Are you thinking about performing, creating, or maybe just jamming to some tunes? What’s got you inspired? Focusing on your own inspirationContinue reading “Creativity is its own reward!”
Background on Lunar Shift and Water Availability
The term “lunar shift” is not standard but likely refers to a significant change in the Moon’s orbit or gravitational influence, potentially altering Earth’s tides, climate patterns, and water distribution. The Moon’s current orbit affects tides through gravitational pull, with high and low tides occurring twice daily due to its 27-day orbit around Earth [InstituteContinue reading “Background on Lunar Shift and Water Availability”
Incoming thoughts and a gradual shift toward a new terraform as we prepare for what’s next
An extrapolation to some of my thought experiments fleshed out as provided by ai/grok Desalination could be a viable option for addressing water availability issues post-lunar shift, but its environmental implications and feasibility depend on several factors. A lunar shift—assuming it refers to a significant change in the Moon’s orbit or gravitational influence—could disrupt Earth’sContinue reading “Incoming thoughts and a gradual shift toward a new terraform as we prepare for what’s next”
A Sound Design journey from 1995 through to the millennium! Akai S-2000 to the rescue?
Comparing the Akai S2000 and Turtle Beach Monterey, they’re pretty different animals. The Akai S2000, released around ’95, is a rackmount sampler with 2 megabytes of base RAM, expandable to 32 megabytes, and it handles sampling at 22 to 44.1 kilohertz in mono or stereo, 16- or 8-bit. You could load samples, edit them withContinue reading “A Sound Design journey from 1995 through to the millennium! Akai S-2000 to the rescue?”
Ai, “Grok” and workflow vs being capable of writing
I’ve recently started using the ai app Grok, and this much is certain: it totally helps assist in troubleshooting as well as research and referencing. The symbiotic relationship is divided into a summation of thought experiments, as inducted by, then this is grown from the initial question, based on ideas by me. ^ And here’sContinue reading “Ai, “Grok” and workflow vs being capable of writing”
Sound Design before I used the Akai S-2000 (1996-99)
Comparing the Turtle Beach Monterey workflow to the Korg wavestate SE, it’s night and day in terms of flexibility and immediacy. With the Monterey-basically the Tahiti sound card paired with the Rio MIDI daughterboard-you were working in a ‘90s PC environment. You’d load or edit samples using clunky Windows software like WaveSculpt, where you couldContinue reading “Sound Design before I used the Akai S-2000 (1996-99)”
Wavetable Synthesis and thirty years later! My current workflow compared to what I worked on during the mid 1995-1996!
The Turtle Beach wave table synthesizer you’re thinking of could be the Monterey, which was a combo of the Tahiti sound card and the Rio MIDI daughterboard, released around 1994. The Tahiti was a high-end card with 18-bit digital audio converters and a Motorola 56001 DSP, but it didn’t have onboard synthesis. Instead, it usedContinue reading “Wavetable Synthesis and thirty years later! My current workflow compared to what I worked on during the mid 1995-1996!”
Protected: A Dom7 double bends, blues rock, Mixolydian
There is no excerpt because this is a protected post.
How to Read Music, and why!
These facts speak to this question. JIMI Hendrix did not read music and did not study western music theory. Edward Van Halen did not read music and won piano competitions at an early age. Ever heard of them? Starting out a student with a mandatory curriculum of reading staff is one sure fire method ofContinue reading “How to Read Music, and why!”
A Parking Equation, as related to the nature of musical composition with an overview of a Linguistics Practice
This is because of the shade provided by some trees, a common goal with the sunshine heating up the parked cars as it does. this is fine, until another car arrives and parks between myself and the other. This starts as I am parked in my car, in a parking lot with lined spaces. IContinue reading “A Parking Equation, as related to the nature of musical composition with an overview of a Linguistics Practice”
Selective Learning and the lasting results of loyal muscle memory
Once upon a time… a lot of young and inexperienced teachers, new and experienced students are in the clutches of unwise instruction based on learning vast amounts of misleading and seemingly practical repetitious efforts that can do almost nothing for the creative and the muse, along with all the offspring and outputs to come! WhatContinue reading “Selective Learning and the lasting results of loyal muscle memory”
How the musical brain works, linguistics et al
As a student of western music theory and its applications for almost five decades I have recently come to experience a transference of “music” related concepts appearing in other daily applications mentally followed by verbal. As theory follows music, not vice versa. Words are naturally being used more frequently in variations similar to methods ofContinue reading “How the musical brain works, linguistics et al”
Transform Your Guitar Skills with an Experienced Teacher
Adapts to each individual student. Focused on developing your tone, musicality, and self expression. Clear diagrams. No dumb questions. – Kelvin R. My first lesson was great. I felt he understood my goals and my direction better than other instructors. I’ve been playing 20 years and feel like this will take to a level IContinue reading “Transform Your Guitar Skills with an Experienced Teacher”
Practice! You will only improve, without it, you will not.
Downward slant, alternate picking 4’s
Master Guitar Skills with Creative Techniques
To enhance skills with the guitar, a strong desire for creative experience is essential. Embrace the tactile connection through regular playing and tuning. Focus on goals while exploring chord shapes and sound patterns, using imagination to manipulate pitches. Cultivating inspiration encourages a deeper relationship with the instrument. Keep playing!
Protected: A minor, C Major, E Major, D Major and open strings
There is no excerpt because this is a protected post.
Time Displacement Theory
After dialing in a sense of timing, the ability to play behind/on/ahead of “the beat”, phrasing can develop. A useful tool that helps with this is the Metronome.
RHeTHoRiC FLiNTSToNe iii
Primitive Metal Pop 2024 work in progress eLeCTRiC GuiTaR ViDeoS 100% Actualized! Now with advanced electric guitar string techniques plus exotic melody and harmony concepts, along with de positive creative Unifier, essentially a Symbiotic Relationship. Concurrently, RHeTHoRiC FLiNTSToNe iii is on a sick twist with a new music which is set to emerge as aContinue reading “RHeTHoRiC FLiNTSToNe iii”
Protected: 4’s w 5 NoTeS oN 2 STRiNGS – LeGaTo & STaCaTo
There is no excerpt because this is a protected post.
AUM CoRD
BiG MaYBe
PiCKiNG 2-STRiNG aRPeGGioS FaST!
Protected: TRiaDiC DiaToNiC aRPeGGioS iN C MaJoR
There is no excerpt because this is a protected post.
Protected: MaJoR SCaLeS iN TWeLVe KeYS
There is no excerpt because this is a protected post.
Playing with Patterns
The focus of musical development should initially be on understanding intervals and essential elements like “The Modes” to build a strong foundation. Knowledge of an instrument and consistent practice, including scales, finger exercises, and rhythmic training, is crucial. Arranging by pattern and improvisation, paired with a background in music theory, leads to new creative opportunities. Building muscle memory through practice is essential. To progress efficiently and avoid correcting bad muscle memory, consistent practice and seeking guidance for overcoming plateaus are key. For guitar enthusiasts at all levels, reaching out for personalized guidance can lead to significant breakthroughs in playing skills.
THe NeW YaRDWeRKS!
100% NEW MUSIC from 2023 and 2024 all guitars and mixed by chris de warenne, midi tracks designed and drums by michael elliott, all rights reserved/copyrights c.warren, m.elliott 2024.
Protected: BaSiC DaiLY RouTiNe WaRM uP
There is no excerpt because this is a protected post.
eBBaNoXiouS GuiTaR LeSSoNS iS a cHRiS De WaReNNe PRoDuCTioN
Chris De Warenne has extensive experience in bands, music recording, and has earned over 200 accredited hours in music. He has a strong foundation in music and English, audio, music business, and also has a background in oil painting and psychology. This diverse expertise reflects in his music and makes for a unique perspective.
Rest Stroke, Posture
Protected: STRiNGSeTS MaJoR TRiaDS CYCLe oF FouRTHS
There is no excerpt because this is a protected post.
STRiNG CHaNGe, FiRST FLoYD RoSe, DeeTS
1/16ths, Alternate Picking, Two Strings, Quads
TiGeR V gets its stripes!!!
by Chris De Warenne @ EbbanoxiousGuitarLessons I purchased a used 2015? Jackson “Randy Rhoads” RR1, “Made in USA” by the Jackson/Fender Custom Shop. It came with a Metallic Black Poly finish, and had a few large dings on the top fin. I decided to go ahead with my plans of making it look exactly likeContinue reading “TiGeR V gets its stripes!!!”
NeCK PiCKuP NooDLiN FuRY
BLueSY PiCK & FiNGeRPiCKiNG
THe eBBaNoXiouS BLueS
Protected: B Locrian Mode
There is no excerpt because this is a protected post.
Protected: A Aeolian Mode
There is no excerpt because this is a protected post.
Protected: G Mixolydian Mode
There is no excerpt because this is a protected post.
Protected: F Lydian Mode
There is no excerpt because this is a protected post.
Protected: E Phrygian Mode
There is no excerpt because this is a protected post.
Protected: D Dorian Mode
There is no excerpt because this is a protected post.
Protected: C Major scales, chords, alternate picked.
There is no excerpt because this is a protected post.
Protected: LeGaTo WoRKSHeeT, or with a pick, STaCaTo
There is no excerpt because this is a protected post.
LoCKiNG FLoYD RoSe FiRST STRiNG CHaNGe & SaDDLe
RHeTHoRiC NeXT
Pull Offs, Hammer On’s & Picking Open Strings
Pinch Harmonics in Harmonic Minor Riffs
RHeTHoRiC
aRPS & CHoRDS
SCReWiN a RouND
THe BLueS WHaLe
uPSiDe DoWN JiMi oCTaVia
De BLue
A Chords
Picking Triplets on Two Strings
This is picking on the inside, notice the up stroke that remains on the top string, then the down stroke is followed through from the first triplet above it.
Fast Arpeggios! Picking 2-strings feels like 2 down / 2 up.
16ths HiGH SPeeD oPeN STRiNG LeGaTo & PiCK
De LoW FaT CHuNK!
MiNoR MeTaL RiFF
Numbers and Letters
Music theory explains the building blocks of music. Each pitch is assigned a number, with 8 being the octave of 1. Inversions add up to 9, such as 1=8, 2=7, and 3=6. The “3” is the “Third”, which when combined with letters becomes a musical note. Letters A-G, including sharps and flats, are used in music. A# is equivalent to Bb, known as “Enharmonic”. A Major consists of specific notes with defined steps between them. It is essential to learn the notes on the fingerboard early on. The next step involves learning about chords and scales.
LiFe & LiGHT 1991 redux
aiRPLaNe 1991
Autumnal Ascent · AIRPLANE 1990
Protected: TWo FiNGeRS TWo STRiNGS
There is no excerpt because this is a protected post.
Protected: ToNiC A – MoDeS
There is no excerpt because this is a protected post.
Protected: CHoRDS & MoDeS
There is no excerpt because this is a protected post.
Protected: DiMiNiSHeD iNTRo
There is no excerpt because this is a protected post.
Protected: Slide Finger Asc Dsc Legato
There is no excerpt because this is a protected post.
Protected: Quads Patterns Even 4’s Dsc Asc
There is no excerpt because this is a protected post.
Protected: Some FuLL DiMiNiSHeD arpeggios & scales
There is no excerpt because this is a protected post.
Protected: Half-Diminished Mode LoCRiaN
There is no excerpt because this is a protected post.
Relaxed grip on your pick!
Practice Your Guitar!
The content emphasizes efficient practice and muscle memory for musical skills. It advises against time-wasting activities and stresses hands-on practice, integrating diverse routines, and maintaining a relaxed yet focused demeanor.
Four Fingers & Triplets, with Legato, please.
ONLINE LESSONS ONLY!
Improve your guitar playing with Ebbanoxious Guitar Lessons. Whether you’re a beginner or advanced player, learn scales, modes, chord theory, and techniques like finger-tapping and string bending. All lessons are online through FaceTime video, with payment via Venmo. Reach your goals and improve with personalized instruction. Book your lesson now!
Getting better faster and spending less time correcting bad muscle memory.
Practicing tedious scales, memorizing patterns and chord shapes 1 2 3*4 5 6 7*8 1 3 5 1 b3 5 1 3 +5 1b3 b5 For example, DORIAN MODE: 2 3*4 5 6 7*8 1 (DEFGABCD) 1 2*3 4 5 6*7 8 (DEFGABCD) C Major CDEFGABC has a “d” ii CHORD: d f a, 1Continue reading “Getting better faster and spending less time correcting bad muscle memory.”
Wide Vibrato
Legato Riff Ascending
Alternate Picking Arpeggios
Tapping Harmonics with Bends
Tapping a Trill
PiLGRiM RoaD
By RHeTHoRiC FLiNTSToNe III all rites reserved. copyright 2024 chris de warenne
The Magnet
The content describes the user’s experience using “The Magnet” for picking, as demonstrated on Troy Grady’s “Cracking The Code”. They mention that the lighting in their first 5-minute filming with it was not bright enough, and they plan to repeat it soon. They encourage others to watch the video.
Protected: F Lydian Emphasis using CHoRDS & SCaLeS FRaGMeNTS
There is no excerpt because this is a protected post.
Pinch Harmonics adds attitude to chords!
Shakin’ that vibrato! Palm Mutes! Wide Vibrato!
Tapping notes with the index finger of the right hand as practiced to a metronome.
Double Bends!! The Duck Walk and two fingers on the Bend i says!
Wide Vibrato! Wise Vibrato! It’s ALiVe!
POWER Chords/ Barre Chords, I, IV, V, strumming with the overdrive channel!
Protected: De ReLiC’d SHeeTs
There is no excerpt because this is a protected post.
Protected: Non-Diatonic Patterns
There is no excerpt because this is a protected post.
Protected: Double Bends, 7ths & Triplets
There is no excerpt because this is a protected post.
Protected: Finger Slides ASC/DSC Legato
There is no excerpt because this is a protected post.
Protected: TRIPLETS on One/Two String Patterns
There is no excerpt because this is a protected post.
Protected: Triplets, Picking & Arpeggios in A Harmonic minor
There is no excerpt because this is a protected post.
Protected: Ten Years Gone – LeDZePPeLiN
There is no excerpt because this is a protected post.
Protected: Tapping resources in A minor / C Major
There is no excerpt because this is a protected post.
Protected: Power Chords Barre Chords – Major/minor
There is no excerpt because this is a protected post.